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La poétique du premier monologue amoureux de Lavine: éléments de versification (Énéas, v. 8082–8334)
Literaturwissenschaftliches Jahrbuch, Vol. 60 (2019), Iss. 1 : pp. 37–62
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James-Raoul Danièle, Bordeaux
Abstract
The study of the first love monologue of the Eneas, entrusted to Lavine, highlights how the musicality of the octosyllabic in this proto-novel is both traditional and innovative. The purpose of this study is to clarify and reconsider the art of the anonymous versifier and to reposition it in literary history: the often regular and measured scansion 4-4 of the octosyllable, the small number of discrepancies between meter and Syntax, the low proportion of rich and leonine rhymes or even feminine rhymes are all signs of a still young, evolving versification. The frequency with which the writer breaks the verse, however, similar to that observed a few decades later in Chrétien de Troyes, is a real innovation that should be restored.
Table of Contents
| Section Title | Page | Action | Price |
|---|---|---|---|
| Danièle James-Raoul: La poétique du premier monologue amoureux de Lavine: éléments de versification (Énéas, v. 8082–8334) | 1 | ||
| Abstract | 1 | ||
| I. La brisure du couplet | 6 | ||
| II. Les discordances entre mètre et syntaxe | 1 | ||
| III. Le rythme et le choix des coupes | 1 | ||
| IV. Les rimes | 1 |