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Mader, E. Dancing for Uwí – Rituals and Ontologies on the Move. Sociologus, 71(1), 33-54. https://doi.org/10.3790/soc.71.1.33
Mader, Elke "Dancing for Uwí – Rituals and Ontologies on the Move" Sociologus 71.1, , 33-54. https://doi.org/10.3790/soc.71.1.33
Mader, Elke: Dancing for Uwí – Rituals and Ontologies on the Move, in: Sociologus, vol. 71, iss. 1, 33-54, [online] https://doi.org/10.3790/soc.71.1.33
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Dancing for Uwí – Rituals and Ontologies on the Move

Mader, Elke

Sociologus, Vol. 71 (2021), Iss. 1 : pp. 33–54

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Duncker & Humblot
DOI
https://doi.org/10.3790/soc.71.1.33
Language
English
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21
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Elke Mader †.

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Abstract

Dancing for Uwí (peach palm, Bactris gasipaes), a calendric ritual celebrated by the Shuar in the Ecuadorian Amazon region, forms part of a mainly animistic ontology, and has been reframed repeatedly during the past century in interaction with shifting historical, political and cultural contexts. The power field associated with Uwí is extensive, and encompasses life and death: on the one hand, Uwí stands at the centre of the ritualization of life, growth, procreativity and abundance; on the other hand, he embodies destructive agency, which has been linked with warfare and its diverse ritual frames. Uwí represents, at the same time, a significant dimension of a Shuar theory of life, as well as a figure within their theory of power, and is closely connected to conviviality and the good life. During the 1960s and 1970s Uwí was adopted and adapted by intercultural Catholic liturgy, and has acquired new ritual elements and new meanings in this context. In recent years, after large gaps between performances from the 1970s to the new millennium, Uwí and his celebration has been merged with the performance of indigeneity as part of intercultural politics in Ecuador. In this framework, the performance of an animistic ontology has been interconnected with the cultural turn in indigenous politics. This contribution explores several questions concerning ontological trajectories, as well as the relationship of ritual and cultural performances to historical developments and political issues.

Table of Contents

Section Title Page Action Price
Elke Mader †: Dancing for Uwí – Rituals and Ontologies on the Move 1
Abstract 1
1. Introduction 2
2. Performing Ontology 4
3. Uwí in the Mission 1
4. Uwí and the Cultural Performance of Indigeneity 1
5. Conclusion 1
References 1

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