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Origine della geometria e Origine dell’opera d’arte: riduzione, verità e storia in Husserl e Heidegger

  1. Journals
  2. Heidegger Studies / Heidegger Studien / Etudes Heideggeriennes / Studi Heideggeriani
  3. Vol. 39, Issue 1
  4. pp. 105–118

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Chiurazzi, G. Origine della geometria e Origine dell’opera d’arte: riduzione, verità e storia in Husserl e Heidegger. Heidegger Studies / Heidegger Studien / Etudes Heideggeriennes / Studi Heideggeriani, 39(1), 105-118. https://doi.org/10.3790/heist.39.1.105
Chiurazzi, Gaetano "Origine della geometria e Origine dell’opera d’arte: riduzione, verità e storia in Husserl e Heidegger" Heidegger Studies / Heidegger Studien / Etudes Heideggeriennes / Studi Heideggeriani 39.1, 2023, 105-118. https://doi.org/10.3790/heist.39.1.105
Chiurazzi, Gaetano (2023): Origine della geometria e Origine dell’opera d’arte: riduzione, verità e storia in Husserl e Heidegger, in: Heidegger Studies / Heidegger Studien / Etudes Heideggeriennes / Studi Heideggeriani, vol. 39, iss. 1, 105-118, [online] https://doi.org/10.3790/heist.39.1.105
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Origine della geometria e Origine dell’opera d’arte: riduzione, verità e storia in Husserl e Heidegger

Chiurazzi, Gaetano

Heidegger Studies / Heidegger Studien / Etudes Heideggeriennes / Studi Heideggeriani, Vol. 39 (2023), Iss. 1 : pp. 105–118

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Article Details

Publisher Name
Duncker & Humblot
DOI
https://doi.org/10.3790/heist.39.1.105
Language
English
Pages
14
Keywords

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Author Details

Prof. Dr. Gaetano Chiurazzi, Università degli Studi di Torino, Dipartimento di Filosofia e Scienze dell’Educazione via S. Ottavio, 20 I-10156 Torino, Italy

References

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Abstract

Origin of Geometry and Origin of the Work of Art: Reduction, Truth, and History in Husserl and Heidegger

Husserl’s The Origin of Geometry and Heidegger’s The Origin of the Work of Art were surprisingly developed in parallel and deal with the same subject, the question of the origin: of a science, in one case, and of the artwork, in the other. From their comparison, the different conception that Husserl and Heidegger have of origin and truth clearly emerge. It concerns what Heidegger identified as the real point of his divergence from Husserl, when they tried to write the entry “Phenomenology” for the Encyclopaedia Britannica, namely the method of reduction. For Husserl, the reduction opens up a material content, an essence, which ensures the persistence of truth in historical transmission, beyond linguistic variability, as happens in geometry; for Heidegger, reduction brings to light the ontological and, we might say, grammatical condition of truth, that is, its being an event and giving rise to an original syntax, to a world. This is the function of the work of art, whose essence consists in its mere being-made, in its being, that is, a work: the actualization of a possibility.

Table of Contents

Section Title Page Action Price
Gaetano Chiurazzi: Origine della geometria e Origine dell'opera d'arte: riduzione, verità e storia in Husserl e Heidegger 105
1. La riduzione 105
2. L’origine del senso 107
3. Il senso dell’origine 111
4. Il senso è la storia 116
Bibliografia 117
Abstract 118
Origin of Geometry and Origin of the Work of Art: Reduction, Truth, and History in Husserl and Heidegger 118

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